Audio sources. Their amplitude can be piped into any scalar socket for audio-reactive effects.
audio-lfoAudio-rate modulator. Wire into a mod input (Filter cutoff, Oscillator freq/level, Channel gain/pan) — the wave sweeps that knob between min and max, in the knob's own units, smoothly at audio rate. For frame-rate modulation of any other param, use the regular LFO node instead.
audio-sourcePlay an audio file or pipe microphone input into the graph. Connect the output to the Output node's audio socket to hear it during playback.
audio-spectralTurn audio into a spectrum image — a scalar field (frequency × magnitude) to drive Displace, Copy-to-Points, gradients, SDF fields, and more. Linear / log / mel / waveform / chroma / 2D spectrogram.
audio-fm-synthPolyphonic FM synth voice — the notes→audio rasterizer for bells, keys, and metallic tones. Wire a notes source (Step Pattern) into it, route the audio into a Layer Output audio socket or the Output node, and press Play. Harmonicity sets the modulator ratio, modulation index the brightness.
midi-editorAuthor notes on a piano roll. Double-click the node (or press its Edit button) to open the editor over the viewport; wire the notes output into an instrument (Synth, FM Synth, Sampler). Notes live on the scene timeline — bars follow the project BPM.
audio-noiseSeeded noise source (white / pink / brown) — the same seed produces the exact same sound live and in exports. Audible while the timeline plays and the chain reaches the Output node's audio socket, a Layer Output's audio socket, or the Active node.
audio-oscillatorFree-running audio tone (sine / square / sawtooth / triangle). Wire it through audio effects into the Output node's audio socket — it sounds while the timeline plays. Keyframe or wire the frequency for sweeps.
audio-playerPlay an audio file through the chain — unlike Audio Source, the signal is processable, so effects, rate changes, and export mixdown all apply. Audible while the timeline plays and the chain reaches the Output node's audio socket, a Layer Output's audio socket, or the Active node.
audio-samplerPitched sample playback — the notes→audio rasterizer for one-shots. Load an audio file, set the MIDI root pitch it was recorded at, and every incoming note replays it repitched. Wire a notes source (Step Pattern) into it, route the audio into a Layer Output audio socket or the Output node, and press Play.
audio-step-patternText-pattern note trigger: each character is one step — `x` = hit, `X` = accented hit (velocity 1), `.` or `-` = rest, anything else is ignored (spaces are fine as separators). One step lasts the chosen division at the Project Settings BPM; the pattern tiles from the timeline start. Wire the notes output into an instrument (Synth / FM Synth / Sampler) to hear it.
audio-synthPolyphonic synth voice — the notes→audio rasterizer. Wire a notes source (Step Pattern) into it, route the audio into a Layer Output audio socket or the Output node, and press Play. Waveform picks the tone; the ADSR envelope shapes each note.
audio-bitcrusherLo-fi bit-depth reduction: crushes the signal down to as few as 1 bit for digital grit and crunch, with a wet/dry blend. Wire an audio chain through it — keyframed bits and wet changes ramp click-free.
audio-channelThe utility strip: gain (dB), stereo pan, and a mute switch for any point in an audio chain. Wire audio through it to trim levels or place a part in the stereo field — gain and pan changes ramp click-free and are keyframable.
audio-chorusThickens and widens the signal by mixing in slightly delayed, LFO-detuned copies. Rate and depth set the wobble; spread pans the two LFOs apart for stereo width.
audio-compressorDynamic range compressor: signal above the threshold is reduced by the ratio, with attack/release envelope timing and a soft knee. Wire an audio chain through it to tame peaks or glue a mix — parameter changes ramp click-free and are keyframable.
audio-crossfadeEqual-power blend between two audio inputs. fade 0 = all A, 1 = all B; keyframe it — or drive it from Audio Bands — for smooth source transitions.
audio-delayEcho effect: repeats the signal after a set time, with feedback controlling how many repeats trail off. Ping-pong mode bounces the echoes between left and right channels.
audio-distortionWaveshaping distortion: drive sets the amount of grit, oversample trades CPU for less aliasing, and wet blends against the dry signal. Wire an audio chain through it — keyframed drive and wet changes ramp click-free.
audio-eq3Three-band equalizer: boost or cut low / mid / high in dB, with adjustable band crossover frequencies. Wire an audio chain through it and keyframe the band gains — changes ramp click-free.
audio-filterFilter an audio signal (low-pass / high-pass / band-pass / notch) with cutoff and resonance. Keyframe the cutoff — or drive it from Audio Bands — for sweeps.
audio-limiterLoudness limiter: clamps the signal to the threshold ceiling with a fast, max-ratio compressor — put it last in an audio chain to stop peaks and protect the output. Threshold changes ramp click-free and are keyframable.
audio-phaserClassic swirling phaser: an LFO sweeps a bank of all-pass filters through the spectrum. Rate sets the sweep speed, octaves its range above the base frequency.
audio-reverbAdds room or hall ambience with a deterministic convolution reverb. Decay sets how long the tail rings out; pre-delay separates the dry sound from the onset of the reverb.
audio-transposeShifts every note in a notes stream by ± semitones (clamped to the MIDI 0–127 range). Keyframe it for key changes; fractional values detune.
audio-bandsSplit audio into Low / Mid / High energy (3 scalar outputs) plus an overall level. Drive parameters from a frequency band — bass on scale, highs on a flicker, etc.
audio-mergepolymorphicMixes up to 8 audio inputs into one signal with per-lane gain, pan, mute, and solo. Set `lanes` to grow the input sockets; gains and pans are keyframable — or drive them from any scalar — for automated mixes.
audio-pitchDetect the pitch of an audio signal and quantize it to a musical scale. Drive a parameter with melody — note as MIDI, normalized 0..1, or raw Hz, with hold + glide for smooth stepping.